lerosa takes his unique approach on house even further. private view is exactly what its title promises: an exclusive visite into a enigmatic and fascinating world of groove and sound. its full of puzzling places and mysterious events. delicate arrangements and artful sound combinations amount to a unique record without turning to caprice or flourish. simplicity that makes sense.

making his rnt debut here is dj vas with a wide-reaching quartet of edit stylings. originally a member of pioneering french-touch group kojak, vas seasoned production approach really shines through on this package, whether in the blistering groove of wizard funk, the classic boogie of the moment, the dub reggae styles of alright, or the smooth-as-silk cream. theres truly a bit of something for every party on this 12inch

vinyl only release! sakadat records return with their third release presenting you two kaitaro minimal deep house tracks with extraordinary groove. dj support: raresh, shlomi aber, oshana, ody, dan noel, ittetsu, faster, vid, dan farserelli, nima gorji, fabio ferro, tulbure, negru, piticu & rhadoo

dj spider & franklin de costa come along with a massive follow-up of their first single on killekill (cat number 016). second bass on the a-side is a bomb of a track with its jazzy beats, otherworldly strings and a bassline straight out of hell. comsume is even more otherworldly with its stumbling, shuffling beat and a spaced-out vocal sample taken from an unnamed sci-fi movies from the 50s. coffee break, the last track of the ep, is a deadlock groove of heavy beats and freaky breaks, that leaves you lost in time and space.

christian viers is fast becoming a prominent name on uk underground house and techno circuits, either as part of lazlo dancehall alongside leon vynehall or his long running a1 bassline project. techno-focused releases on his own label, source unknown captured the attention of the ears behind the newly formed fina white resulting in the bad timing ep, which the label state is a strikingly clear indication of the distinctive direction they plan to take moving forward. title track bad timing is a straight up techno banger whose menacingly melodic low-end tones, relentless thump and rolling toms are the driving force behind its robust and looming groove. without time is a similarly complex percussive cut, but with its jungle inspired arabic horns, trancey synth-lead breakdowns and acid squelches, whilst uk house veteran nail offers a more direct 4/4 take on the track with his typically classy remix.

six months after their last installment, shir khan and exploited drop another hot to trot collection of disco edits. as usual, there is much to excite, beginning with the familiar guitar solos, rhodes keys and dub disco pulse of antilopes *singing ghost* rework. death on the balcony keep up the reverb and delay-laden dub disco theme on *addict for your love*, whose rubbery groove, twinkling pianos and heady vocals have been expertly rearranged to fit house dancefloors. finally, matpat go loop crazy on the thumping disco house cut *only you* which sits somewhere between rahaan and soundstream. excellent stuff all round.

the title track offers up a delicious concoction of rhodes keys and smoky jazz inflections before a brittle synth and snatch of soulful vocal usher in an entrancing chicago groove. utterly moreish, it s a tune to stick on repeat. philpot label founder jackmate s devilishly playful version does exactly what a remix should do: give the original tune s elements a fresh twist while respecting its distinctive spirit. a pounding kick, astonishing in its rippling intensity, underpins off-kilter and pitched-up samples that somehow hold together for an exhilarating ride. -fish paul- marries spacey eno-esque drones to a pounding beat and crackling interference. testament to gaiaschi s years of directing and promoting parties and his dj residencies at milan s dude and tunnel clubs, it s a tune that embodies a fine-tuned understanding of the dancefloor. -the point- rounds things off with bright keys and crisp claps, to build a dreamy, skilfully layered groove.

polluted system is a track suitable for the main room, the energy of the kick and the bass leave no respite from start to finish as a joint of metal percussion and synths fit gradually to fill the sound spectrum of this track. becomes human machine in a few minutes, using acid and industrial sounds, conveys the idea of the change that is happening around us: people are becoming more and more machines, and this is the soundtrack of the mutation. unlocked human, while remaining in acid and mechanical territories, thanks to a groove of more organic toms and hi hat still let the human element glimpse, not yet deleted by the machines, all accompanied by a relentless kick which makes it a perfect tool from the dancefloor . no system, which give the title to the ep, ends this sequence with dreamy and futuristic atmospheres, the ruling part is still a simple but instantly recognizable acid bass, over breakbeat-oriented rhythmics.

repress 2017 ...cool minimal detroit house classix... incl mk & carl craig rmxs

strut return to the archives of seminal chicago house label dance mania in january 2015 for dance mania: ghetto madness. the follow-up to strut’s acclaimed dance mania label retrospective hardcore traxx from early 2014, this new instalment places the spotlight on the raw, stripped back, hyper bpms of ghetto house and the rise of the movements fresh generation of stars during the mid90s including dj deeon, dj funk, jammin gerald and dj milton. the 180 gram double vinyl comes in gatefold sleeve, including cd.

carl craig needs no introduction, he has been at the forefront of the international techno scene for over 20 years and has amassed a truly enviable back catalog of releases utilizing various pseudonyms and collaborating with many different artists during his stellar career. one of the detroit natives most enduring and popular guises has been his paperclip people project which has been active since 1991. country boy goes dub was originally released in 1996 on the seminal paperclip people long-player the secret tapes of dr.eich. its blend of samples, metallic drum machines, 808s, guitar loops and serious dubwise tendencies made it stand out instantly. as with a lot of craigs legendary productions it had that otherworldly swing, an incessant groove and a melding of various styles, sounds and influences informing its spirit.

off the back of the success of audens first hotflush ep, the enigmatic alias returns to scubas label with another hard hitting four-tracker, wall to wall. lock in throws you in headfirst - fast-paced drum loops layered with slices of jarring techno and a driving bassline that would be welcomed on the darkest dancefloors. utopian, initially a more languid cut, juxtaposes an almost cerebral landscape with hard hitting percussion, only allowing the listener a short breather before hurtling back in with perisheds swirling synths and trippy electronic jabs. ending on xirox, auden crafts a slightly more down-tempo cut, boasting a catchy groove that only gets better with each listen. whoever auden may or may not be, one thing is for certain – hes carving his place deep in technos panorama.

the cat is out of the bag as two greg wilson summer festival exclusives are unleashed on the expertly curated and highly collectable a&r edits dj imprint. its label favourite peza who is back at the editing block for this release, reworking walking in rhythm, the 1975 classic from the blackbyrds, into a contemporary dancefloor scorcher. its instant familiarity is swelled by peza s additional drums and percussion - his complementary instrumentation, played live over the original groove, updating this feel-good sensation. pure morning was pezas favourite placebo track and so the required amount of reverence was paid when he sharpened the razor to bring it right up to date for 2014, and provide greg with the opening track of his glastonbury trilogy this year. a full, percussive rework accentuates its anthemic reach and a well measured dose of filters and effects nudge this new arrangement to completion.

for the latest edition of the intriguing dessert islands discs re-edit series, the label has called upon the well-renowned scalpel talents of german-in-amsterdam marcel vogel, aka em vee. the double denim-sporting eccentric drops another gem in the shape of *white heat shake it out (edit)*, a bouncy and seductive disco chop-job that makes great use of the source materials bustling groove and steamy, spoken word vocals. on the flip, lesser-known re-edit heads papi del pancake and claude von reefer take up the challenge. their *gimme what you got* has a little more deep house shuffle, but retains the key instrumentation and feel of a sumptuous disco-soul jam.

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

having established a reputation for discovering new talent, its not often that we get to collaborate with other artists and labels. chapter 2 allows us the opportunity to reach beyond our own circle of emerging artists and work with exclusive material from others who have been getting us very excited recently. as with chapter 1, you will find no b-sides here!

the occasional (but always excellent) street edits series returns, this time with a trio of high-grade scalpel works from chicago re-edit hero rahaan. as usual, the source material is dusty and obscure, and the reworks revelatory. -city of disco- is in many ways typical of rahaan s work, with carefully cuts and loops being used to create a thumping, house style groove (admittedly one that pays due reverence to the source material). there s more of a celebratory, soulful feel about the impeccable -strung out-, which turns a little-known disco-soul gem into a huggable dancefloor classic. best of all, though, is -brighten you up-, which sits somewhere between later electrofunk and early house, a proto-proto gem, perhaps. either way, it s a killer.

from the shores of the great lakes comes a 3 track floor filler from mi duo 2amfm aka jtc & dmarc cantu. confronting the canons of techno & house head on this 12 takes you beyond the dance. best experienced loud though, preferably in a darkened smoke filled room. a limited vinyl pressing with hand screen-printed artwork.

kaiser is a bari-based producer and dj. he began his collaboration with etruria beat in 2013 with the track conversation, part of the va named bud sampler (part 1), many times played by richie hawtin. today he presents his first ep for etruria, entitled medusa.the pack consists of two original tracks save the chord, so entitled because of the presence of some overlapping dub-chords which intersect one each other and create a melody on which grows a well balanced groove and medusa taking its name by the ep, is a techno track with an aggressive and imposing rhythm, perfect for the most powerful dancefloors!

op.discs highly acclaimed 2013 double pack from radiq aka yoshihiro hanno receives some heavy reworking from three of his label mates, fumiya tanaka, akiko kiyama and aoki takamasa. fumiya tanakas reinterpretation provides an extensive, deep down edition of vida noir and renders the original beats into a minimal bass behemoth of a track that clocks in at almost ten minutes. akiko kiyama shows her peerless talent in her revision of rondo. the beats and pieces are sticking like glue each other to render exotic and mesmerizing aspect of radiqs original. aoki takamasa shows his further involvement into minimalism on his version of calling, channels a micro-house groove into a multilayered beast.

music that keeps your body busy on the dance floor while it takes your mind to exotic places far away: timboletti creates a tense atmosphere between the stripped-down power of a kickdrum and the intricate network of sounds and melodies. during the titles murrakus and wüstenlauf your inner cinema will show mysterious scenes from an oriental bazaar, at the same time your body will have to deal with a pleasant feeling of restlessness. the frequency spectrum of makrovic is invaded by tripped-out samples, reminiscent of radio transmissions from some odd parallel dimension, resulting in a groove that is deep yet uplifting. barfussbravo sounds just as alien and is just as compelling, as delirious melodies and delay cascades unfold upon tight, driving rhythm sections. mollono.bass delivers a remix that is probably even deeper, a stardust phantasy flying high upon the solid foundation of a standing bass line. in contrast, carlos shifts down a gear and reflects on the multi-dimensional anatomy of barfussbravo during a smooth downbeat version.

introducing collabs ep pt.i, long time project from jam on including 3 collaboration tracks he made with: gabriel tan, ra.pu & nekow and a secret unknow artist. the a1 track « get down » has been remixed by adam touch as a vinyl only bonus.. this ep is all about great vibes and groove.

window: hvob explores the boundaries of music music meets video meets installation: hvobs new ep window opens a trialogue between artistic disciplines. the viennese electronic duo hvob has firmly established itself on the international electronic music scene with four eps, a debut album and live appearances at festivals such as the cape town electronic music festival and sxsw in austin. the fifth ep, which was presented at this years parallel vienna art fair and is about to be officially released, is the result of an artistic experiment by anna müller and paul wallner. above and beyond the music, window is a complex art project

2015 repress !!! home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released on upfront vinyl-only terms and produced exclusively on analogue equipment.this time franck is giving us 4 tracks that will surely please a bunch of different djs worldwide… rebound is another dubby and crushy experience, using his tempest drum machine and jamming with some external effects, keeping it going on & on, focusing more on an abstract ambient vibe. nebula keep the already marked sound of home invasion.. a mix between deep-afro and very cosmical vibe. deep theory is a classic tribute to the new york sound from the 90’s, it reminds us some of the blackwiz k.o.t work in his abstract approach and simple groove.²balance is definitly the one that has a drive for the dancefloor, hypnotic stabs, rushed drums, this one is a sure shot clubby track.
already supported by brawther, jimpster , dj deep , okain, djulz, pirupa, chateau flight, ame kristian, dj sneak , sebo k, josh wink, ian pooley, ben sims, osunlade, daniel stefanik, sasha, clive henry, hector moralez, raresh, tiefschwarz , louie vega, cesar merveille, shinedoe, damian lazarus, anja schneider, norm talley, francois k, dj t, agoria, fred p, laurent garnier, jennifer cardini.

the act of shimmering is the act of leaving conscious thought behind. it s accepting what lies beyond the corporeal, transcending the physical, the soul is aware and the body, eyes, skin are distant empty casings. a clamorous, chaotic cacophony surrounds a beatific center. an endless assault of guitar, of noise that glistens, a poignant rigor. jannick schou, proprietor of tape loop drone, places himself within the tunnel of din to produce this profound work: an ethereal dream using nightmarish parts and images. black and grays generate vibrant innards. brightness is unearthed within the fetid mass and these six tracks immerse the listener into a raging sea to find a gentle undertow. furious outbursts emerge from simple, slow shivers. tremors of noise gather, reaching an elongated crescendo, becoming transformative, and shattering what form or structure was designed to contain such an outpouring of sound.

second part of the sold out album finding purpose produced by the dublin based artist dave hargadon, also know as the half part of the project slowburn. again house sounds from chicago, detroit and via the hague with strong melodies and heavy drums!

marco shuttle releasing his first solo album visione on his eerie label. having since released on clone, the bunker and time to express, this year has seen shuttle hard at work at his first entry into the lp format

together they stir up a tech-funk track which lets the listeners hang on a crazy weird synth-line for a few minutes until the song erupts in a funky bass-heavy tech groove that takes no prisoners!

for the first heisenberg release we have the various artists compilation of our secret weapons. 4 killer tracks from romanian mastermind little hado, our label-head sasha kaktus, spanish groove-master enzo leep and the collaboration between eder alvarez & gorbani in a fantastic tripply remix by kike mayor & he did. 2 tracks only available on vinyl

ein weiterer fantastischer, retro-futuristischer release von dj yellow & flowers and sea creatures! tuff city kids (phillip lauer & gerd janson) liefern einen glänzenden space-boogie-artigen floorfiller-remix. auf der b-seite hört man erneut einen meister-remix von konstantin sibold, dessen letzter remix von -no one gets left behind- (black label #105) die top 50 most charted tracks 2013 auf resident advisor und platz 1 der groove charts erreichte!

people must jam have an undisputed three for three on the score board, and it comes as no surprise that this serious second innings in the floor jammers va series is heading straight for the outfield too ! it s a truly international affair, as chicago disco don rahaan takes the lead with an irresistible uptempo jazz-funk rewire while uk producer andy ash is next up to the plate, rearranging and amping up a teddy p classic on the b, tokyo s beaten space probe takes on millie jackson s incendiary we got to hit it off (as recently hacked up by tom trago) bsp leaves in the best bits here as the powerhouse groove gets a respectful renovation. finally out in the sticks wrap it all up eighties fashion, as a slamming bassline led drum machine jam powers us to fourth base. strictly limited to 300 copies.

liiebermann is a japanese duo, ko-ta, previously ran stratosphere label in kushiro hokkaido, and his label mate, kiyokazu hamawaki. after releasing from labels like 31337 rcords/kina music/numbolic/early dub/multivitamins, they decided to set up a vinyl only label gabriiela. springy percussion and cutup samples with unique groove in lower frequency makes 3 tracks purely original. 3 tracks of floor bomb!

danse club 16th release welcomes greek producer, sek also of ama, morris audio, large. the release kicks off with everybody, a bumping and groove filled slice of deep house that employs a simple bass, a filtered piano chord groove and sparse vocal hits. next up is no matter what, a driving, garage influenced record which is sure to send dance floors crazy. last but not least the b2, sofa king high. a laid back, deep, sleezy house record with distorted chords, smooth bass and addictive vocals.

huge record! please make room for a brand new label in the house! we are delighted to introduce you our first release that will highlight some super quality house music delivered by the house legend mr. hector moralez, the master of rhythm and beats, the one and only tuccillo and the romanian groove sensation, the well known negru. its all about house music baby!!! one love!!

nice price deal !!! mega hypnotic groove monster! incl remixes by little hado. we have the first release on audionumb music limited. fresh from lima, this project was created to bring the best releases on our favorite format: vinyl.

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

anything eddie ruscha touches is generally worth checking, and this latest outing for lectric sands offshoot it’s a lectric world is no exception. ruscha kicks things off with the electric dub, an untypically funky fusion of his usual vivid psychedelics, exotic vocal samples, crunchy guitars and an undulating disco-rock groove. the original rub - all bubbling electronics, muted guitar licks and deep house warmth - adds a little balearic disco flavour, before ruscha returns to more familiar territory with the delay-laden and pleasingly out-there lectric dub. finally, he reaches for the marimbas on the pleasing dub, an afro-influenced blast of wide-eyed balearic sunshine complete with lilting pedal steel.

known as pantaleon perez prado, was the younger brother of the famous king of mambo. pantaleon, who came to europe in the 1950s, recorded several albums with unifunk. a powerful big funk band sound featuring: tullio de piscopo, mario rusca, giancarlo barigozzi, pino prestipino and others. escandalo!, as perez prado states in the brief sleeve note, is named after a new rhythm created by himself. *a rhythm you can dance to in freedom, without specific steps*. in spite of this naive launching, the opening track chicago banana is a declaration of intent, with its sly stone-esque groove. 9 out of 12 tracks are originals credited to composers of the unifunk circle, but the track list is careful to preserve prados well-established latin appeal, by including three standards such as brazil, el manisero and tequila.
the deluxe vinyl edition comes in gatefold sleeve with a cd-copy of the album included.

as 2014 comes to an end, the london based duo is closing the year with yet another split ep. on the a-side we have vimmes, a low-slung groove with percussive textures that expand gradually and steadily, evolving along shadowy soundscapes and intricate rhythms. its a fine example of holdie gawns personal style, stripped back grooves moving along melodic tones and sound design. micawber on the other side offers a shuffled up house track under the name de jure. syncopated synth lines, lush pads and melodic textures make this an warm, lush early morning electronic affair.

• german duo dualit join the eartoground camp
• strong four tracker with printed sleeve

london label eartoground s final release of 2014 raw material sees another new act joining the label as they welcome on board dualit . this german duo are otherwise known as oliver rosemann from leipzig and mascon from frelberg. recently they have released on such prolific labels as clr, earwiggle and fifth wall records. this release features six tracks, being four originals backed by two centralised locked grooves with full front and back artwork on the sleeve. audio selected for this release gives a good over all presentation of dualit s varied, deep and raw dynamic range of techno.

the original track from kaelan wheels around the main chord: soiled and biting in the proper basic channel/chain reaction way. the track is built on a chasing 130bpm groove. the stojche s remix refers to afterhour atmospheres. a sinuous deep dub. lee holman provides us of a dancefloor killer remix. prickly. rabid. techno the babe roots remix take a break from the dancefloor and it refers to a dub techno reggae oriented. the spacey pads take us in the journey.

after his highly acclaimed sunset in kreuzberg ep, dib001 shifts gears and goes straight into techno mode: constantine is a steady number, its acid bass line slugging around a dark lfo pulse and punching snares. piano chords slow down the pace here and there, adding a dreamy touch to the mood. on remix duties, idriss drafts in gaetano parisio, the godfather of the italian techno scene: his track has a more percussive feel, with a classy swinging rhythm that takes over the original groove.

side a: ghetto juice - another nice techno soul groove by eddie fowlkes, with the deep bassline with the laughter of of streets of detroit and crazy horn lead to get the ladies dancing.. side b: sunday morning - this cool swing late saturday night groove with a fade in vocal of -easy like sunday morning- sample will definitely have hands in the air, brilliant track by mr. fowlkes!

ronald burrell s reputation as deep house royalty has long been solidified throughout the years having released on many legendary labels since the late 80 s including nervous, nu-groove, strictly rhythm & many more. working both solo and alongside his brother rheji his output has always caught the interest and ears of dance music aficionados world-wide with a heady mixture of gospel, soul / r&b, jazz, & garage heavily informing his sound. surprising as it is, -it s a boy- was never released, only ever existing as a test pressing! the 4 track ep takes in all the musical influences listed above and flips them into some seriously deep territory. opener -journey- is an epic jam punctuated by an 808 cowbell, beautiful pads, strings and ronald s voice asking us to join him on a journey through our own minds. second cut -feelin jazzy- picks up the pace a little, a stripped back rhythm blessed with some choice, chopped up jazz samples and vocal stabs keeps things moving in the right direction. over on side-b we are treated to the deepest groove of -bedtime story-, which has all the trademarks of a classic burrell production, soulful vocals, melodies and crisp drum programming. closing track -the crib- rounds things with off with a stomping church inspired organ groove, an up-lifting end to the ep. as mentioned above, this is the very first time this underground house classic has ever been released! this record is a real collectors piece and has commanded collectors prices on-line in the past, a real rarity. it has been re-mastered and re-pressed in conjunction with ronald burrell from his original dat tapes and all original label artwork has been preserved.

the second 12- single from echospace in 2014, engineered and mixed down from 1/4- analog tape and mastered by the talented fellas at alchemy mastering in london, focusing and enriching every finite detail. -fading lights,-, a vortex of analog warmth provides a provocative synergy pushing the boundaries between synthetic and organic movement, a sonic illusion. these enthralling hypnotic moments lead us into the seduction of groove with, -magenta- a lesson in space and bass. the art of restraint is clearly on display as one feels as they are floating in zero gravity for an extended 14 minute journey which leaves you feeling as though only a moment has gone by, sonic submersion of the highest order. this is music to drift out, to float in, to dream thru, to love to, the magic is in the mystics. essential! only 1 per customer

ltd 2014 repress !!! groove charts pos 2. support from ricardo villalobos, cassy, roman flügel, dan curtin and more.. 2008 saw trelik return with the hugely popular re-issue of minimal mans make a move. now the label returns with a fresh offering from soul capsule aka baby ford, tomas melchior & tim hutton in the form of seekers which was recorded earlier this year in berlin. this 12inch features a remix from ricardo villalobos who tones down the vocals from the original mix & combines them with old-school chicago style keys that wouldnt sound out of place on a vintage glenn underground production. tough, stripped down beats accompany this, building effortlessly as the composition progresses making it one of 2010s most eagerly anticipated remixes from the great chilean.

the fifth ep from dj shufflemaster s shiki kyokai. the original track was made in 2004 that involve psychedelic mood and form on minimal techno. and japanese talented producer cherryboy function who propose a possibility of new direction and sound in 2000year era made 2 remixes with jazzy sax riff and complicated his heavy groove. it s a wonderful encounter of japanese techno scene.

three is the number, basement toolz the titel. once again rat life records is taking mickey on a night out to the sewer. here are two tracks made by credit 00 with a borrowed tr 909 drum machine. side a is called korg the groove, as the title already reveals, its inspired by a classic detroit techno cut. can you tell which one it is? on the flip side you will find 909ish, one drum machine and one synthesizer, which is not much but all you need and more, plus there is extra noise on the clap to amplify your face slapping pleasure.

so happy to finally host our favorite german producers on a solo on materialism. piemont are here for a 2 tracker full of groove!